I’ve been a regular reader of Art:21’s blog (affiliated with the PBS educational series, Art:21-Art in the Twenty-First Century) for quite a long while now, and was happy for the recent opportunity to contribute a post to their current Flash Points topic. Of the many art blogs I follow, Art:21 fosters the sort of academic rigour I can really respect in terms of discussing contemporary art in an expanded pedagogical framework that is both challenging and accessible - it’s a fine balance, and one I enjoy when I see it done well.
Since Art:21 is based in the US, I was intrigued to see today’s introduction of a new column, ‘Calling from Canada’, which “chronicles the burgeoning art scene across the border.”
Immediately, my eyes narrow on that word “burgeoning” to describe the entirety of Canada’s art. The word isn’t without its positive connotations - a quick check of my dictionary is rampant with talk of budding and blooming - but the sense of something incomplete or only-just-begun sticks unpleasantly in my teeth. Still, I can let that slide; even within Canadian art criticism there are frequent calls upon ourselves to step up our game and compete more favourably for the international spotlight. Perhaps that sort of burgeoning-as-wake-up-call is itself the point of the column. Or so I think, uncharacteristically optimistic, to myself.
Instead, CBC Radio host and fashionista Raji Sohal opens her first column with the requisite opening line on “The Great White North” followed by a broader mandate that is less an incisive instrument for critique and more a game of show-and-tell:
In my following posts in this column, I will look at exhibitions in Montréal, Toronto, and Vancouver and provide an entry point to begin to talk about art in Canada and how it shapes the nation’s identity and cultural landscape. For a country that normally gets treated like the kid sister across the border, the arts are surprisingly vibrant in Canada, with many of its artistic exports doing well internationally. And this deserves some attention. Let’s start things off with Montréal.
Okay, leaving aside the “surprisingly vibrant” part of that paragraph (talk about your backhanded compliments), talking about how Canadian art shapes Canadian culture is circular to the point of nonsense. A more honest intent might simply be to draw attention to Canadian artists active in Canada for the benefit of this American context. While not exactly deep in scholarship, there’s at least a noble cause at hand. This much, I can also accept as a, let’s say, burgeoning effort.
But here’s the kicker. After a travel-guide introduction to Montréal and fleeting references to three Canadian artists represented in exhibits at the Musée d’art contemporain de Montréal (only one of whom, David K. Ross, merits any discussion of his work), the article proceeds to devote roughly half its girth to a loving appreciation of Runa Islam’s projected film works, complete with Vimeo documentation of the installations at MAC.

Runa Islam, Be The First To See What You See As You See It, 2004.
Oh, I know exactly what you’re asking yourself. “But… isn’t Runa Islam a British artist?” Too damn right, she is! So that’s a gold star for you and no Turner Prize for Runa (though she was shortlisted in 2008, and deservedly so). And definitely no medals yet for Raji’s mission “to talk about art in Canada and how it shapes the nation’s identity and cultural landscape.” I read her rather lightweight descriptions of Islam’s work twice just in case I had missed the subtle point at which she placed the artist’s work within a Canadian cultural context, but no dice.
Unless, of course, the point is that Canada is - as my former English schoolchildren used to delight in reminding me - “the Colonies,” and British art is just about the same as Canadian anyway because we’ve got the same Queen and know how to spell properly. If that’s the case, may Elizabeth’s matching hat and handbag save us all. Or at least compel Raji Sohal to actually talk about Canadian art next time.
Note to my Hamilton readers: James North Art Crawl recap pending shortly, unexpected rant was unexpected. -SV
- BROWSE / IN TIMELINE
- « Seeing and Time: Video Art as Experience on Art:21
- » James North Art Crawl: July
- BROWSE / IN 2 Canadian Art Criticism
- « Akimblog Hamilton now online
- » Off the Shelf: ‘The Uncanny: Experiments in Cyborg Culture’
COMMENTS / 3 COMMENTS
art21fan added these pithy words on Jul 13 10 at 3:02 pmI heard Raji mention the Art21 blog on CBC and so I just googled her name + art21 to learn more. Instead I found your oddly harsh remarks about her opening blog post! First of all, your misnomer, “fashionista” of the woman is sexist and deductive. I know about Raji from listening to her on the radio, and from hearing her lecture on her research in Montreal (btw, she has a book coming out and it is on the topic of installation art and not fashion!). Your dismissive ‘fashionista’ comment is bizarrely personal. What gives there? However, the fact that you flaunt your immaturity is, I must admit, quite amusing. Congratulations! It was an intro post: have you read the other intro posts? Don’t worry, I’m sure she’ll get art crit on our asses. I am an American myself who completed an MFA in Montréal and stuck around to do a PhD… I live in Montreal now and am a huge fan of Art21 and of Raji’s crits on-air. I’ve heard her speak about her research at conferences and I can assure you that she is anything but an intellectual lightweight. Her INTRO post (rightly) briefly addresses stereotypes that Americans associate with Canada before she makes some very valid points about a specific show for which she has strong opinions. Your attack of her Runa Islam praise?! Get over your nationalistic gripes. I understand that the other city columns don’t exclusively address artists in their own nations! Your writing is very snarky and resembles something far more “FASHION” than anything I sensed in Raji’s post. Perhaps you should try FLARE magazine next time, they love a bitchy tone and I hear they’re hiring.
Steph added these pithy words on Jul 13 10 at 4:58 pmThe very fact that this was the intro post of a column claiming to enlighten her readers on Canadian art is exactly why I wish she had chosen someone other than Runa Islam as her focus. I think Islam’s work is excellent, but I don’t think it’s a “nationalist gripe” on my part to expect a column about Canadian art to kick off with a Canadian artist as its focus. Including international artists in a wider conversation further into the column’s run wouldn’t have bothered me at all, but as an intro it strikes the wrong note. As for “fashionista,” I used it as a synonym for “fashion stylist” as she is described by Art21 in their bio of Raji, and find it a far less sexist term than describing my criticisms above as “bitchy” and suggesting I go write for FLARE (would you have said this if I were a bloke, I wonder?). I don’t know much about Raji’s work prior to her Art21 column and sifted through a wide assortment of fashion writing before finding her art criticism, but I do look forward to seeing her contribute more incisive work in future columns.
anon added these pithy words on Sep 27 10 at 8:52 pmshe is a fashionista.
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